Our mission is to build a supportive writing community for women and non-binary writers. We write. We share inspiration. We encourage. Together, we create an energizing community space for writers:
- Plume: A Writer’s Podcast: Our podcast features successful women and non-binary writers, from emerging writers to bestselling novelists and award-winning poets. Our conversations and literary roundtables showcase hard-working talented writers, as we seek advice, insight, and inspiration to bring us back to our collective community. Along the way, our goal is to help writers believe in their voices and projects.
- Our Weekly Drop-in Zoom Group: Now in its third year, this is a virtual drop-in support group, where writers check in about current projects and share writing challenges and triumphs. We also write together in response to a new writing prompt each week.
- Our Plume Slack Channel: This is an online virtual space where women and non-binary writers can share resources, ask questions, connect with other writers, share writing prompts and projects, and offer and receive support in a safe, private space.
- Plume’s Monthly Accountability Group: Plume’s newest community-building addition, the Accountability Group, is designed for writers tackling large-scale writing projects. We meet to set goals, discuss strategies, offer encouragement, and help hold ourselves and each other accountable.
Through Plume’s literary community, we seek to uplift, showcase, and encourage women and non-binary writers wherever they are on their creative writing journey. We’re here to fan each other’s flames.
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Crystal K. Odelle
I met Erin when we were both teaching at a community college here in Albuquerque, but I really got to know her when I took a creative nonfiction class she was teaching (It’s a long story, but suffice it to say, it was a great class and I got a published piece out of it). She’s a brilliant, vibrant writer, who challenges the people around her to look beyond their own preferred bubbles. Although poetry is a genre that I have to work a little harder to access, the first time I heard Erin read from her work, I just got it. I felt like I’d been punched in the gut, and I loved her for it. We were sad to see Erin leave New Mexico, but she’s on to exciting new teaching and writing opportunities, and we were delighted to be able to feature her through Plume.Enjoy the interview! Plume: When did you know that you were a writer?Erin Adair-Hodges: Oh—I’m not sure I know anything, much less if I’m a writer in that kind of essentially defining way. I was never exposed to so much when I was young: the violin, pastry making, glass blowing, and maybe I had some latent potential in those fields. I tend to be fairly self-deprecating in that I claim that writing is simply what I do best out of what I’ve tried. But then again, I’ve been writing creatively since I was five—stories and plays and strange little diatribes—and despite the world’s best attempts to dissuade me from writing more, I kept going back. I will say that my first “published” piece was a story I wrote in the fifth grade. Bound as a book, it was then made available to check-out in our town’s public library. The title was “Daddy’s Not Coming Home,” and I’ve never come up with a better title since. P: Where do you get your ideas?EAH: Rocks, under rocks, the absence of rocks, the dreams of rocks. Anywhere. Mostly I’m interested in understanding how my own body frames my experiences, frames the world’s conception and treatment of this body and the person in it, but I’m less interested than I used to be in autobiographical narrative. My recent work tends to invite other figures or hybrid-persona voices to explore and express these concerns: folklore, ’80s songs, rivers, birds I don’t know the names of, angry women of myth—all … Read more